hustle
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action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home/lafemme/public_html/wp-includes/functions.php on line 6114The WGAW Committee of Women Writers invites you to attend a special panel at the LA Femme Film Festival. A Female Perspective: Producers and Executives Telling Female-Centric Stories. This panel of top female producers and executives will give a nuts and bolts\u00c2 overview of how to get in on the wave of female-centric storytelling that flourishing. What female-driven projects are they working on? What are they looking for in a pitch or spec script? How is this trend differing in feature films versus television\/cable\/streaming services? The answers to these and many other questions will be discussed and explored by this panel of top female producers and executives.<\/p>\n
CYNTHIA RIDDLE<\/span><\/i> has written film\/TV projects for CBS, Hallmark Hall of Fame, Lifetime, Showtime, MGM, Starz, Netflix, Disney, Nickelodeon, PBS, and MarVista. She has two feature films heading into production in 2017 <\/span>Curtains<\/span><\/i>\u00a0(a WGA Feature Writer Access Project honoree) to be produced by the Academy Award nominated producer of\u00c2\u00a0<\/span>Dallas Buyers Club<\/span><\/i>\u00c2 and filmed in Paris, and true crime drama\u00a0<\/span>The Romeo and Juliet Killers<\/span><\/i>. Cynthias pilot script,\u00c2 <\/span>Blood Brothers,\u00c2\u00a0<\/span><\/i>was a Top 20 Finalist in the 2016 AMC\/Austin Film festival screenwriting competition (out of 9,100 entries), as well as a Finalist in the Sundance Episodic Story Lab. Cynthia has produced award-winning short films that won\/were finalists in Project Greenlight and the Coca Cola Refreshing Filmmakers Award. She has an MFA in Screenwriting\/ Film Production from UCLA, and was a former development exec for MGM, launching her writing career with a writing\/producing deal at the studio.<\/span><\/p>\nSharon Bordas<\/strong><\/h2>\n